IV BIENNIAL ARTS Temuka. Off REVERSIDE_Deriva
Temuko. Identity
Temuko. Identity
Acoustics and translocation Sonora.
Habitat deconstruction (soundscape).
1 .- Drift: mode of experimental behavior linked to the conditions of urban society; technique uninterrupted passage through diverse environments. It is also used more specifically to designate the duration of a continued exercise of this experience.
2 .-
Guy E. Debord :
Among the various procedures Situationists, drift is presented as a technique of uninterrupted passage through diverse environments. The concept of drift is inextricably linked to the recognition of natural effects of psychogeography, and the assertion of a playful-constructive behavior, which he opposes in all respects to the classical notions of travel and sightseeing. One or more people who give up adrift for a long time about the reasons to move or act normal in relationships, work and entertainment they choose, to let go of the demands of the terrain and the encounters that under him. The random part is less critical than it is believed, from the standpoint of drift, there is a relief psychogeographical of cities, with constant currents, fixed points and eddies that make it difficult to access or egress to certain areas.
Among the various procedures Situationists, drift is presented as a technique of uninterrupted passage through diverse environments. The concept of drift is inextricably linked to the recognition of natural effects of psychogeography, and the assertion of a playful-constructive behavior, which he opposes in all respects to the classical notions of travel and sightseeing. One or more people who give up adrift for a long time about the reasons to move or act normal in relationships, work and entertainment they choose, to let go of the demands of the terrain and the encounters that under him. The random part is less critical than it is believed, from the standpoint of drift, there is a relief psychogeographical of cities, with constant currents, fixed points and eddies that make it difficult to access or egress to certain areas.
3 .-
Stewart Home:
"Calling someone an artist is to deny everything as the gift of dreams and the imagination in this way, the myth of genius becomes an ideological justification of inequality, repression and hunger. What the artist finds his identity is a set of prescribed attitudes, preconceived ideas that have locked humanity throughout its history. These are the attitudes derived from these identities, as well as artistic products derived from the objectification we must reject "
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